solivarii

Notes from the studio and the meditation seat: on yantra and mandala, on the old Kashmiri texts about beauty, and on making images that are meant to be used rather than only looked at.

  1. The bindu
  2. Mantra as a drawing tool
  3. Hilma af Klint and the paintings that waited
  4. Pigments for a dark goddess
  5. The grid under the thangka
  6. Abhinavagupta and the taste of art
  7. Drawing the Sri Yantra by hand
  8. What tantra is not

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